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1. |
Snow on the Waves
03:45
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It’s the only day of summer that I got
When the cars are slow and the lines are hot.
Now the rain is gone away, it’s only me that’s left today.
I prayed to God to be alone.
Now that I am up and grown,
The people who are gone for fear keep saying things I don’t want to hear.
You won’t tell me it’s not too late (to make a start).
You don’t come around trying to placate me (and my broken heart).
You block my sun more than you elate me.
You’re snow on the waves.
Now I close up at night when the flowers won’t bloom.
During the day ghosts take my room.
Some folks say the dead are never gone—that’s why I leave the TV on.
You and I were the village shade
All rain and no parade.
Would you take that safe sadness now, if I could only get it back somehow?
You won’t tell me it’s not too late (to make a start).
You’re no stranger to dreams that deflate (and fall apart).
Each word I say is up for debate with you baby.
You’re snow on the waves.
Some nights when the stars are low
I search the water for something I might once have known.
Past the rocks and rents that keep us home
There’s snow on the waves.
I don’t even need a trigger on my gun.
I knock these hours down one by one.
My nights are filled with western wind, days are spent for next of kin.
Been dancing with a candle at my back.
Believe me, honey, it’s not truth I lack.
Of the millions who could have been the one, You’re just the latest whose story came undone.
Still, you won’t tell me it’s not too late (to make a start).
You’ve been known to stand at the gate (when I depart).
You laugh at the mention of fate.
You’re snow on the waves.
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2. |
Sepulveda
04:08
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Sepulveda is waiting for you
Come on now and take her by the hand
Played your records for her all night long
And the cars drove by—they were singers in a lonely band
Watched you walk in the house with your back to the door
Your past is just prologue and your future’s on the cutting floor
I ain’t gonna race against time no more
Ain’t gonna turn around on a dime like before
I left Sepulveda on the other shore
‘Cause that’s all she’s good for
You didn’t have to run away from home
It always ran away from you
You could find the place up on the map
But still somehow you just can’t find the clue
Now you can’t even count to two
And the chance passed by and the past is long past due
I ain’t gonna race against time no more
Ain’t gonna leave my heart open like a candy store
I left Sepulveda on the other shore
‘Cause that’s all she’s good for
Sepulveda, pull the blankets over me
And pull the lights down too
Pretend that all I ever wanted
Might someday come true
See that girl running?
Well, she’s running towards you
Say that that’s not all she knows how to do
Distant planets far away
Burn hot at night and dark and cold by day
You the charmer she the spell
A disappearing act that always works so well
But I took all my star charts down
‘Cause it’s black as death in your one-trick-pony town
I ain’t gonna race against time no more
Ain’t gonna hammer boards across my door
I left Sepulveda on the other shore
‘Cause that’s all she’s good for
Sepulveda, pull the blankets over me
And pull the lights down too
Pretend that all I ever wanted
Might someday come true
See that girl running?
Well, she’s running towards you
Say that that’s not all she knows how to do… Sepulveda
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3. |
Twice as Long
04:47
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Two and two they come together, and if you’re clever, then they make four.
You’re not supposed to remember that you ever imagined more.
But you knew my secrets like the back of your heart.
You held us together so hard we fell apart.
You say we’re always in the same night with the same stars in the sky.
You were a simple broken record, and I was afraid to meet your eye.
But desperate treason was our favorite drink.
We were always trying to ruin us, despite what we might like to think.
CHORUS:
Twice as long’s not long enough when you are drinking from his cup.
Twice as long’s not long enough by far.
I’m sorry about the piece of you that never seems to make it through.
And I’m sorry for the things you think you are.
There is something in the thunder that comes to you from the room above.
That makes you drink right out of her hand like it was full of whole-grain love.
We’re the all time losers, at the head of our class.
I’d give away my whole family for just a day here in the grass.
CHORUS
… the things you think you are.
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4. |
Citadel
03:24
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Tonight was the first time I called this place my home
The wettest town I’d ever lived in
Tonight was the first time I called this place my home
Now it’s just a face I might never see again
The people come down to sell
They swarm down from the Citadel
‘Cause the days of watch are over
If I were Dorothy and Dorothy were me
We’d have clicked our heels back to New York City
But here the rates are cheaper, some say taxes are free
And that makes death the only certainty
The people come down to sell
They swarm down from the Citadel
‘Cause the days of watch are over
Come you rain down from the sky
You’ve made your trip and so must I
Come you rain down from the sky
Come home with me
I take in my returnables, I collect my cash
This town is just a pan looking for a flash
The circus comes around each and every day
To pass the hat for the young hearts who’ve already gone grey
Well the people come down to sell
They swarm down from the Citadel
‘Cause the days of watch are over
Come you rain down from the sky
You’ve made your trip and so must I
Come you rain down from the sky
Come home with me (x2)
Tonight was the first time I called this place my home…
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5. |
Get Off on a Dare
03:33
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I am calling from the right lane of the highway
When I got on here it was spring
You better eat before you set foot in that market
Or else you’re bound to buy everything
It’d been a long, hard, cold, eatin’-leather-shoe winter
Even the storm clouds went broke
I got out on an eighth of unleaded
Haven’t even stopped for a smoke
Gotta find me a snack
Now there’s no turning back, now there’s no turning back
I’ve been cruisin’ these aisles all day
When was my last meal
I don’t know how it feels, can’t recall how that feels
I need a home or a place to stay
Some time around four, well it turned back into summer
I got bluegrass coming out of my ears
The lines around this state on the map make it look like a coupon
I just took 20% off of my years
Gotta find me a shelf
Gotta build my wealth, gotta build my wealth
I gotta buy coffee in the place where I read
Gotta find me a desk
Gotta buy me a fax, gotta get me the rest
I gotta keep myself up to speed
I’m growing discontent with this billboard cocktail party
Models with martinis smoking in their underwear
I stopped off at that 76 pavilion
But I can’t cheat at solitaire
‘Cause I know somewhere around the bend
I’m gonna see your sweet face again
Like a light in a house in the fall
It’ll shine so bright like a red tree all alone in the night
And then you’re gone and there’s no curtain call
Gotta find me some love
Gonna wear me a diamond and free me a dove
I gotta park in the shade of desire
Gotta clean the garage
Salvage records and tapes, gotta salvage the Dodge
Before this whole thing catches on fire
I am calling from the right lane of the highway
I’ll stay on ‘til I get my share
Me and the rest of this steel-belted army
Couldn’t even get off on a dare
Wouldn’t get off on a dare
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6. |
Pay the Waterbill
05:23
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Will you save the baby when the bath water’s gone?
Will you leave it all to me?
Will you be the one to blow the candles out?
Will you shine the silver ‘til it’s free?
Oh, City, well you used to be so pretty
And you turned some heads in your day
Oh, City, well you used to be so pretty
The summer ain’t gone yet, sugar, so what do you say?
You be the one to pass the beer around
I might just pick up the tab
If you’ll be the one to wear the neon lights
I’ll be the one to hail the cab
Oh, City, well you used to be so pretty
And I heard it said that you could dance
Oh, City, well you used to be so pretty
Come on, darlin’, gimme half a chance
You be the one with the fancy feet
I’ll be the one to just act shy
You’ll know everybody everywhere we meet
I’ll promise never to lie
Oh, City, well we used to be so pretty
And I wrote your name up in the sky
Oh, City, well you used to be so pretty
‘Til I wrote the letters that made you cry
And you tore them up, and you burnt them up, and you put the ashes in a cup
And you sent them down the River Wye
Well you broke my heart, split it right apart, put what was left in a cart
And you trashed it all at Eighth and Vine
Now you’re the one to turn the page
I’ll be the one to hold my breath.
You’re at the start and end of every age
I only wish you’d take me with.
You’ll be the one to pay the waterbill,
I’ll be the one to leave.
If you’ll be the one to make the world stand still,
I’ll be the one to grieve.
Oh, City, well we used to be so pretty
But that was in your halcyon days.
Oh, City, well you used to be so pretty,
But it’s getting hard to tell the roots from the grays
And the roofs from the graves
And the roots from the grays
And the roofs from the graves.
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7. |
Airborne
04:36
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When you start out in limbo
It’s a long way home
When you sell off your ticket
You leave half yourself at home
The airlines they call you
Say we’re glad you’re alive
You’re our most seasoned veteran
You’ve been with us since you were five
Are we up in the air yet?
Are we up yet you say
You’ve waited so long now
So long for this day
Well, you’ve been in the sky
Since the day they first met
And you haven’t come down
‘Cause they weren’t ready yet
You’ve lived in twenty houses or so
And now there’s rent to be paid
But you’re not the one who owes
‘Cause your airborne
Halfway between the tarmac and the morning
Airborne
And no one comes up to fix the clouds they’ve torn
You thought you’d hold a song up
Like a knife to his throat
Thought you’d build you a castle
And make him swim the moat
Now his baby plays piano
Tonight on the phone
And you might have had some talent
But you took lessons in flying alone
Are we up in the air yet?
Are we up yet you say
You’ve got no hands to hold you
You’ve got no hands to pray
You took to the sky on account of some papers
That freed two adults from the fruits of their capers
And you might fly at heights of the most dangerous kind
But there’s no child you’d sign away on that dotted line
‘Cause you’re airborne
Halfway between Dulles and Wisconsin’s corn
You are airborne
And the miles add up and the captain’s forlorn
You are airborne
And you might as well start blowin’ your own horn
‘Cause you’re airborne
And you’re comin’ down now with your engines roarin’
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8. |
Sweet Go-Between
02:38
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The handwriting never ceased
It ran across the walls like a beast
This part that you remember least
Dishes always ‘bout to fall
You’d guard your corner so you’d have a place to crawl
And hide behind the eight ball
CHORUS:
You can look to the north you can look to the south
You swear to God you hear a voice
But you can’t find the mouth
I dare you to build this house out of straw
You’re done listening to love, you’re done listening to law
The face was never at the door
And paper tigers pinned you to the floor
A paper soldier in the war
You scratch at love like at a screen
The words that are left are never all that clean
They’re all you got, sweet go-between
CHORUS
One night you snuck out on the roof
The fire from the valley smelled like the truth
As if you ever needed proof
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9. |
Debt to Love
03:54
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Six o’clock is blue and pink on the snow
As it was for the queen of Queens
Under dark lights they ask me to go
So I train pigeons in my dreams
Well the tailor is handsome and the soldier is fine
But one must fix the other’s seams
So I look farther with my blue eye
Past the shallow future and closed museums
CHORUS:
To thine own self be true
To your neighbor divine
Time will come looking for you
And you may as well lay your heart on the line
For the day your debt to love comes due
It rises in the east so the west can have its wine
And keep it hid from the land between the two
I swear I’d die of thirst before I make it mine
But a need does a thing that the word can never do
CHORUS
The picture on the mantel is for the Valentine
Who won herself with the loss of you
You kept her on the mountain that grows by and by
‘Til she finally grew up and out of view
CHORUS
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10. |
Fight or Flight
04:55
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Daddy put your dark glasses on,
Daddy take the phone off the wall.
And get out tonight.
‘Cause this little girl’s been talking so tall for you,
She’s taken all the falls.
And she knows something ain’t right.
You never learned to fly, and you’ve given up the fight.
CHORUS:
Suddenly the day’s much harder than the night.
Suddenly the dark shines a lot longer than the bright.
You lived your life like there was no end in sight.
…So you never learned to fly, and you’ve given up the fight.
Daddy put on your suit and tie,
And go out looking like the other guys
From all the other homes.
God knows I lock my door up tight,
Push the ghosts away with all my might.
But they are life-long chaperones.
You never learned what’s right, and I don’t think you might.
CHORUS
…You never learned what’s right, and I don’t think you might.
You’re always sneaking round the bend, you don’t know if this ever ends, do you?
You say your heart won’t ever mend but you know I can’t fix that thing for you.
You’re a lovely bastard with a lovely wife but I ain’t gonna sit around and watch my life go
Up in smoke too.
You were the leader of the band back then,
Thought you had a hand that would let you win
When life began to take its toll.
When I sweep my empty heart with a broom,
I can see you up there locked in your room
Smoking getting in the way of your soul.
You thought that there’d be lightning for every kite.
CHORUS (slow)
…You thought that there’d be lightning for every kite.
CHORUS
…You never learned to fly, and you’ve given up the fight.
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11. |
Down the Shore
04:42
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You say you’ve been down the shore
And it’s why we don’t see you no more
You fell in your own well
You were just such a quick sell
The tide goes in and out
You say you scream and shout
We all go our own ways
And we all are our own craze
You caught the train of thought
And you’re gonna ride it, ready or not
You found yourself some shade
And they say you’re all the rage
But you sit on a scorched porch
And you’re holding a snuffed torch
We ought to know you say
You’re gonna make it big someday
You sing like a windchime
Cut in half by the fine line
You swam out to the ship of fools
And they used you up like a set of tools
CHORUS:
Can you or can you not come home baby?
Daddy says yes and mom’s a definite maybe
Can you or can you not come home baby?
Or are you always not here now?
You sure have been gone a while
It must be the brand new style
You ran out of stamps, you say
And there’s not enough time in the day
Keep that bag by your side
I know there’s no place to hide
But we can’t want you back now
And we can’t watch you pack now
You flew on the plane of being
And it’s so much harder to be staying than leaving
CHORUS
…And can you or can you not come home baby?
Or are you always not here now?
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12. |
Count Your Blessings
02:47
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Have you ever seen a picture
Of that very beautiful vitamin B?
It gets to be all kinds of colors
Before it settles down into me
Have you ever seen a picture
Of that migrant Woody Guthrie?
Well, you know, I haven’t either
But I sure hope he don’t look like me
CHORUS:
I wonder what you’re doing tonight
I wonder if you’re doing the same thing as me
If you’re staring at the wall, begging it to count your blessings
Then you’re doing the same thing as me
You gotta be real smart in college
You gotta look like you don’t crouch to pee
And we’ll see about that pretty head of yours
Mixing $3.25s down at the Capri
CHORUS
Lately I spend all my time shopping
But I’ve yet to find a store that’ll make me think
And sometimes at night I’ll catch a movie
But you know how I am—if I can’t swim I’ll drink
And maybe I shoulda taken that job with Greenpeace
Should sank some ships while I was still alert
Now the only pets I have are houseplants
The only people I know I keep around to flirt
CHORUS
… You’re doing the same thing as me
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Meghan Hayes Nashville, Tennessee
Meghan Hayes is a singer-songwriter, Nurse Practitioner and landscape designer living in Nashville, TN. Her most recent record, Seen Enough Leavers, is a bruising post-divorce document of pain, anxiety and loss, that has been lauded as “one of the best Americana albums in recent history.” Hayes is currently interviewing producers for her next record. ... more
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